01.07.2025 17:24
Nihat Doğan, professional associations do not distribute resources fairly and stated that a caste-like structure has formed in the art world. He provided an example by saying, "They take the incoming 20 billion TL, and distribute the remainder to us like charity." Doğan pointed out that artists are treated like beggars in Medina.
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Singer Nihat Doğan has recently come to the fore with his harsh criticisms of professional unions following the turmoil he experienced in both his personal life and the business world.
"I AM NOT A MARRIAGE MAN"
In 2022, Nihat Doğan married his Iranian fan Arzu Doğan (Arezoo Gharlar) and soon became a father with the birth of his son Badıkan. However, this marriage did not last long. The couple decided to divorce in 2024. During the divorce process, allegations emerged that Doğan had cheated on his wife. In a statement that confirmed these allegations, the famous figure made striking remarks, saying, "I could not be a good spouse. Maybe I was a good lover, but I could not be a good spouse, a good father. I made a mistake. I am not a marriage man."
CRISIS IN THE BEAUTY INDUSTRY: PARTNERSHIP ENDED
Known for his sharp remarks in the art community, Doğan had tried his luck in a different field with investments in the beauty industry in recent months. However, this business venture also did not yield the expected results. The disagreements he had with his partner Sevim Alan led to another disappointment in his professional life. It was revealed that Doğan had quietly withdrawn from the industry.
"THEY DISTRIBUTE LIKE THEY'RE GIVING ALMS"
After experiencing personal and professional issues, Nihat Doğan began to make statements again, this time drawing attention to the injustices in the art community. His statements stirred up quite a commotion: "What are we going to talk about in art? There is no difference from the caste system in India! They take 20 billion TL that comes in for themselves and distribute the rest to us like they are giving alms. The tracks of the horses and the tracks of the dogs have mixed! Feet have become heads, and heads have become feet! They treat us like we are beggars from Medina."
With these words, Doğan openly targeted the professional unions, arguing that the income distribution in the industry is unfair and that artists are not given the respect they deserve. His statements, which resonated widely on social media, became a topic of discussion among many of his colleagues.
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